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Austin Museum of Art Announces

The TERRITORY
Season 32 

 Territory2 territory1

 

THE TERRITORY, produced by Southwest Alternate Media Project, Austin Museum of Art and HoustonPBS in cooperation with the Museum of Fine Arts, Houston, is the longest running showcase of independent film on public television in the country.

For the past thirty-two television seasons, THE TERRITORY has existed in Texas as an electronic art gallery, showcasing extraordinary work by filmmakers from all over the world. Originating in 1975 from the fertile minds of a group of media artists at the Southwest Alternate Media Project (SWAMP) in Houston, the series found its first home on access television. Later it moved to Houston’s PBS station KUHT.

As the oldest public television station in the U.S., KUHT-TV helped to pioneer the broadcast of short, independent film and video. With the entry of the Austin Museum of Art as third co-producer in 1984, THE TERRITORY expanded its focus to national and international artists and expanded its audience from Houston to other Texas PBS stations.

For decades art houses have been the main venues for experimental and avant-garde films. Video art’s home has been in progressive museums, art galleries, and media art centers. The innovative collaboration of a media arts organization, a Texas museum, and public television stations has greatly widened access to these important works.

Viewers can email comments or inquiries to artschool@amoa.org.

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KLRU-TV, AustinPBS [Channel 9]
airdates listed below, next to program number.

1.  5/26/09 10pm 

THE SAVIOUR , Peter Templeman, Australia 2005 (17:30).
In this hilarious narrative young missionaries going door-to-door discover more than they had bargained for—“a miracle.”

EXTREME MAKEOVER, Jonathan Daw, Australia 2005 (3:30).
In this claymation short figures go into a beauty factory for cosmetic surgery and come out with an identity crisis.

2.  5/26/09 10:30pm

LUCKY, Nash Edgerton, Australia (3:30).
This fantastic high speed action film raises a very Zen-like question: when can you finally consider yourself lucky?

THE MECHANIC,  Christopher Rusch, Texas 2007(11:00).
Tall, dark, handsome, and trouble! A young man going nowhere tries to change his life in this dramatic short.

A GOOD JOKE, Nick Fox-Gieg, Canada 2005 (3:15).
The Pope challenges a rabbi to a debate on the spiritual condition of the Jewish people in this animated satire.

IDEOLOGY, Juana Awad  and Jorge Lozano, Columbia 2004 (4:30).
A headstrong young woman raves contradictory feelings about her politically -compliant father.

THE LITTLE BIRD OF DISASTER, Nick Fox-Gieg, Canada  2004 (2:40).
This is a story of a man’s revenge on a very annoying bird with remarkable talents.

3.  6/2/09 10:30pm

JULOT, Maya Tiberman, Israel  2005(3:00).
A game of marbles leads a little girl on a fantastic journey through everyday life.

FAMILY SIZE PIZZA, Gim Gyung, Korea 2006 (11:00).
A rhinestone barrette becomes a token of a longed-for reunion in this family drama.

KATIE'S JOURNEY, Sam Jorgenson, Texas 2007 (8:30).
After a family tragedy, Katie uses all her powers to change reality through her drawings.

I WANNA BE FAMOUS, Nick Fox-Gieg, Canada 2006 (2:45).
In this darkly humorous animated work the protagonist concocts a bizarre means to celebrity status.

4.  6/9/09 10:30pm

PIGEON, Anthony Green, Canada 2004 (10:00).
This true World War II period piece shows us the redemption found in unplanned acts of courage.

LA PARED [THE WALL], Maru Buendia Senties, Texas 2006  (14:30)
A Latino couple enacts a drama of changing roles and self images in a simple trip to the grocery store.

5.  6/16/09 10:30pm

WHEN ELVIS CAME TO VISIT,  Andreas Tibblin, Sweden 2006 (11:00).
An Iranian mother leaves her child with a strange neighbor with poignant consequences.

TRUANT, Michael Duignan, New Zealand 2005  (15:00).
On a seemingly mundane bus ride, an innocent teen cartoonist meets the Goth girl from hell.

6.  6/23/09 10:30pm

SECURITY,  Lars Henning, Germany 2006 (12:30).
A security guard discovers that his compassion can be used against him, especially when attraction enters the picture.

THE AVIATRIX, Toddy Burton, Texas  2006 (11:00).
Using playful digital effects, this work charts the escapist daydreams and real life escapades of a young woman and her unlikely prince charming.

7.  6/30/09 10:30pm

MCCLAREN'S NEGATIVES,  Marie-Josee Saint-Pierre, Canada 2006 (9:30).
In an intimate look at the creative process, this visual essay reveals the secrets of the legendary animator Norman McLaren.

BIRDLINGS TWO, Davina Pardo, Canada  2004  (6:00)        
This experimental documentary explores the nature of art, invention, fathers and daughters.

NEIGHBORS, Norman McLaren, Canada 1952 (8:00).
Using the technique of pixilation, which he pioneered, McLaren creates a parable of violence and brutality in this classic film.

8.  7/7/09 10:30pm

FRESH AIR-MATCHCUT, Stephen-Flint Muller, Germany/Argentina 2005  (7:30).
In this portrait of Buenos-Aires residents speak with Berlin accents while the city whirls in a dazzling display of images and ideas.

FILM LOVERS, Anthony Rose, Australia 2006 (7:00) 
Film freaks meet at the neighborhood video store and court with a playful use of film titles.

COFFEE AND MILK,  M. Magsamon and S. Hillerbrand, Texas  2007 (3:00).
This experimental video explores communication and sexuality through the metaphor of everyday things.

FLYING DAYS, Pablo DiConca, Canada  2005  (5:00).
Glued to his surveillance screen, a security guard watches the elevator for the improbable movements of an unlikely performer.

ELEMENT OF LIGHT, Richard Reeves, Canada  2004  (4:30).
Inspired by nature, this abstract animation explores light through optical sound and images painted directly onto film.

9.  7/14/09 10:30pm 

THE NEXT TIM DAY, Ben Steinbauer, Texas 2006 (26:00).
The antics and inventiveness of would-be filmmaker Tim Day win enthusiastic coverts to his ambitious career path.

10.  7/21/09 10:30pm 

CONTACT, Hanro Smitsman, The Netherlands 2006 (8:30).
This fragmented narrative reveals events that seem to have no beginning or end—a continuous loop of cause and effect leading to violence.

GRAMMY'S, Brian Poyser, Texas 2007 (17:00).
Two unhinged, slacker brothers find mayhem in their politically incorrect journey into the woods.

11.  7/28/09 10:30pm 

LE PETIT OISEAU VA SORTIR [BEFORE THE WIND BLOWS], Samer Najari, Canada 2006 (18:00).
From WW II to the present day we see three young people as they record their final farewells for history.

CITY, Topaz Abizes, Canada 2006 (8:00).
Just how differently two people can experience the same event is given palpable emotional force during a short cab drive.

12.  TBA

WHEN THE LIGHT'S RED, Keith Wilson, Texas 2006  (10:45).
This humorous and poignant documentary looks at the complex intersection between drivers and intersection panhandlers.

NATHAN PELKEY, Drew Daniels, Texas 2007 (9:30).
The effective use of black and white underscores this documentary on an unusual street musician.

BLACK INK ON SKY BLUE, Felix Dufour Lapierriere, Canada  2003 (4:30).  
A man confronts his own isolation in relation to the multiple intimate worlds of one city.

13.  TBA 

THE END OF THE WORLD:  A LAKHOTA LEGEND, Francesa Talenti, North Carolina, 2006 (3:30).
Somewhere in the Badlands, an old woman makes a blanket that takes us on an animated mythical journey into Native American culture.

SHARE THE WEALTH, Bennie Klain, Texas 2006 (7:30).
A Native American woman living on the streets is the main figure in this narrative about “paying it forward.”

BELOW, Laura Harrison, Texas  2007 (2:45).
Mystery lies just below the surface in this lyrical experimental film.

WATER, ROCKS AND SAND (2:58); GOLDEN SILK ORB WEAVER (2:30); and WORKING JEWEL (3:00), David Morrow Guthrie, Texas 2007. 
Filmed in Costa Rica, these three experimental works form a lyrical ode to nature.

14.  TBA 

CITIZEN PROVOCATEUR:  RAY HILL'S TEXAS PRISON SHOW Brian Huberman, Texas 2008 (57:33).
Part human rights activist, part hell-raiser, Ray Hill has produced the Texas Prison Show on radio for 25 years, helping convicts and their families sustain relationships.


TERRITORY HISTORY

In 1961 Newton Minow, Chairman of the FCC, surprised television broadcasters by describing their programming as “a vast wasteland.”  What is surprising today is that, even with cable television, this description still fits.  The portion of television viewing time allotted to high quality, innovative media work is still very limited. That fact only serves to underscore the importance of such programs as The Territory, which is co-produced by the Austin Museum of Art, the Southwest Alternate Media Project, and KUHT-TV PBS Houston in cooperation with Museum of Fine Arts Houston and KLRU-TV PBS Austin.

Some of the well-known media artists on The Territory have been:

  • Bill Viola (Venice Biennale, MoMA and Whitney retrospectives)
  • Suzan Pitt (Academy Award winner; Cannes featured artist)
  • John Sanborn (pioneer of digital media art)
  • Kip Fulbeck (Rockefeller fellow)
  • Jeanne Finley (Guggenheim fellow)
  • Robert Rodriguez (went on to make El Mariachi)
  • Victor Masayesva (Hopi artist, NEA Fellow)
  • Nam June Paik (pioneer of digital media art; major exhibitions at Whitney and MoMA, etc.)
  • Gus Van Sant (director of Drug Store Cowboys and other feature films)
  • William Wegman (famous for his photos of dogs)
  • Jonathan Demme (Academy Award winning director of Silence of the Lambs)
  • Jane Campion (Academy Award winning screenwriter of The Piano)
  • Tracey Moffat (Australian Aborigine artist; major exhibitions including the Dia Center in New York)

 

THE TERRITORY is funded jointly by
The National Endowment for the Arts
The Houston Endowment
The Texas Commission on the Arts
The City of Houston
through the Houston Arts Alliance

NEA logo

HEI logo

 TCA logo

 HAA logo

Executive Producers:  
Mary M. Lampe
Southwest Alternate Media Project

Judith Sims,
Austin Museum of Art

Co-Producers:
Ed Hugetz
The University of Houston

Celia Lightfoot
Independent Producer, Houston

Marian Luntz
The Museum of Fine Arts, Houston

Dr. Tom Schatz
The University of Texas at Austin

Editor:
Joe Brueggeman
HoustonPBS

Director of Programming:
Ken Lawrence
HoustonPBS

Director of Operations:
Steve Pyndus
Houston PBS

Opening Title Design:
The Art Guys, Houston

Website:
Michelle Mower

Production Assistance:
Krishunda Goodman
Latisha Breaux

 

Special Thanks to:
 Aurora Picture Show, Houston
Australian Film, Television, and Radio School, NSW
Canadian Film Centre, Toronto
Canadian Filmmakers Distribution Centre
Clermont-Ferrand Short Film Festival
Flickerfest Short Film Festival, Australia
Groupe Intervention Video, Montreal
The Houston Film Commission
Korean National University of Arts, Seoul
National Film Board of Canada
New Zealand Film Commission
Ouat Media, Toronto
Radio-TV-Film Department, University of Texas, Austin
Short Attention, Australia
Short Film Festival, KurzFilmAgentur, Hamburg
SND Films, Amsterdam
UT Documentary Center, Austin
Vtape, Toronto
Worldwide Short Film Festival, Toronto
 

 

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